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An important part of revising is making sure there are good transitions that hold writings together. Transitions hold the main ideas together, make a passage more readable, and help organize thoughts. The writers of the SHSAT know this, and are going to ask you during the revising/editing parts to supply the best revisions for their jumbled-up texts. Since you are on the lookout for what they are throwing at you, you’ll be ready!
You’d like to think that the SHSAT would contain clear writing. But, the goal for you is to outwit the writers of the SHSAT, and so to discover where the writing sections should be stronger by making better connections. Transitions help us do that! In between ideas, and paragraphs, transitions tell readers that there are new ideas that will be connected to old ideas in interesting ways, and what to do with the ideas that are given by the author. Remember for “IF/THEN” statements, there must be a true relationship between the “IF” and the “THEN” (see “Logical Sequence”). Ideas are related in other ways besides the IF/THEN, and transitions are a sign that there is a relationship between certain ideas. They might tell you to pay attention, that there is something suspicious about the ideas just presented, or that there’s an example that will prove what was just said. Your job for the SHSAT is to figure out which transitions can organize the passage best into clear, true ideas. Transition questions on the SHSAT usually take this form (taken from a practice exam):
These sorts of questions are designed to get you to think about the passage like a gamer: fitting the logic of the ideas together in the best way. You’ll rely on lots of different transition words for revision, when you take the exam, but almost all of the questions you’ll be asked in the ELA sections about transitions will be applied to organizing the passages given. The goal for the passage is to be clear. The correct transitions will help organize the disorganized text, and they might structure the ideas better, provide a timeline in the text, or emphasize the most important ideas in the text.
It can be difficult to figure out which transition you need, because there are so many transitions and, also, several could be used correctly. You might use one word or a phrase. (There are rare cases where you’ll choose among complete sentences as possible answers, but that is not usual.) But, take heart! All transitions are meant to remind the reader that some idea came first and is connected importantly to another idea. That gets you, as a reader, ready to digest new ideas that come in the passage. You’ll be asked to supply two types of transitions on passages on the exam: 1) transitions that connect different parts of a discussion or argument and 2) transitions that establish a better time line for the text. Let’s use an example. Take this slightly-altered passage from John Galsworthy’s 1912 story “Quality”: {a} “It was over a year before I was again in London. The first shop I went to was my old friend’s. I had left a man of sixty. At seventy-five, pinched and worn and tremulous, who genuinely did not at first know me.” This passage can be edited to add transitions to both connect different parts of the story and to establish a better time line. Consider the text, with transitions: {b} “It was over a year before I was again in London. And the first shop I went to was my old friend’s. I had left a man of sixty, I came back to one of seventy-five, pinched and worn and tremulous, who genuinely, this time, did not at first know me.” The example in {a} mostly makes sense, but the ideas are disconnected and there isn’t a good idea of time in the paragraph. But in {b}, the bolded transitions give us some crucial details about the timing of events (“this time”), and provide a connection between ideas “And the first shop…”, “I came back to”. As writing {b} is much better, stronger, than {a} because of the transitions given within it.
The transitions you’ll choose completely depends on the job you need it to play among the ideas in the text. You’ll read the passage, and ask yourself what is missing between the ideas. If your passage is missing an introduction to the ideas, consider using these words: to begin with, initially, first of all, at first, to start Often, the transitions that are needed are meant to show a continuation of ideas. When you are faced with that on the text, key transition words include: secondly, also, in addition, additionally, moreover, furthermore, in fact, besides, and, again, next, another When your passage’s ideas are at an end, you may need a transition that works towards a conclusion. In that case, you can use: in conclusion, finally, lastly, to sum up, in summary, therefore In between the introduction and conclusion, of course, you’ll want to make sure you have transitions about sequence. Good transitions include: next, then, also, until, during, since, afterwards, now, before, later, after that, meanwhile, at last, in the end For texts that intend to prove a main point, you may need a transition for more evidence, or to provide extra support or an idea. Think about these: for example, for instance, such as, namely, specifically, to illustrate, for that reason, even, indeed, in fact, of course, truly To show that the reasons you’ve given for main points are connected, and made stronger, by other ideas, the following transitions are excellent: additionally, again, also, and, as well, besides, equally important, further, furthermore, in addition, moreover, then Frequently, the ideas within a passage contradict each other. Those ideas will need to be bridged by a transition, such as: however, although, neither, but, nonetheless, nevertheless, yet, still, rather, on the other hand We’ll actually practice transition questions for the SHSAT, but for now, think about the best transitions that you can include in your own writing, and then as you edit other ideas, based on the job you want the transition to do in the text.
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